Matilda The Musical

<h3 class="tiptap list">THE SHOW</h3>Matilda The Musical, the multi-award winning musical from the Royal Shakespeare Company, inspired by the beloved book by Roald Dahl, is heading back to Australia from October 2027.Based on Roald Dahl's beloved novel,&nbsp;Matilda The Musical&nbsp;tells the story of an extraordinary young girl with an astonishing imagination, a brilliant mind and an unbreakable spirit. As she dares to stand up to injustice and take control of her own destiny, Matilda discovers that even the smallest voice can make the biggest difference.For more than 15 years, this revolutionary production, about a strong and determined young heroine has captivated audiences around the globe with its wit, heart and unforgettable celebration of courage. Winner of 101 international awards, including 25 for Best Musical, and seen by more than 13 million people across over 100 cities worldwide, it has become one of the defining musical theatre productions of our time.Matilda The Musical is brought to the&nbsp;stage by the&nbsp;original creative team from the RSC production:&nbsp;Dennis Kelly&nbsp;(Book),&nbsp;Tim Minchin&nbsp;(Music &amp; Lyrics)&nbsp;Matthew Warchus&nbsp;(Developed and Directed),&nbsp;Peter Darling&nbsp;(Choreographer),&nbsp;Rob Howell&nbsp;(Set &amp; Costume Design),&nbsp;Christopher Nightingale&nbsp;(Orchestrations &amp; Additional Music),&nbsp;Hugh Vanstone&nbsp;(Lighting Design),&nbsp;Simon Baker&nbsp;(Sound Design) and&nbsp;Paul Kieve&nbsp;(lllusion).&nbsp;Producers:&nbsp;&nbsp;Louise Withers, Michael Coppel &amp; Linda Bewick present&nbsp;The Royal Shakespeare Company&nbsp;production&nbsp;of Matilda The Musical.<h3 class="tiptap list">PRODUCTION DATES &amp; TERM</h3><ul class="tiptap"><li class="tiptap">Cast rehearsals for some roles proposed to commence on or about 14 August 2027 and remaining Full Adult Cast on or about 21 August 2027 in Melbourne.</li><li class="tiptap">Dance Captain and Assistant Dance Captain roles to commence on or about 31 July 2027 in Melbourne.</li><li class="tiptap">The first season proposed to commence in late October 2027 in Melbourne followed by proposed further seasons in Sydney &amp; Brisbane</li><li class="tiptap">Publicity dates and costume fittings will be required in advance of these dates (to be advised)</li><li class="tiptap">Contracts will be Run of Play</li><li class="tiptap">All applicants must have existing legal rights to work in Australia, must be an Australian Citizen or Permanent Resident of Australia with the ability to work in Australia.</li><li class="tiptap">All applicants must be at least 18 years of age by end July 2027 to apply</li><li class="tiptap">Child Cast Auditions will be held in March 2027. A separate casting brief for child roles will be issued in late 2026.</li></ul><h3 class="tiptap list">AUDITION DATES</h3>Melbourne:Round 1: Saturday 17 October 2026, Monday 19 October 2026, Tuesday 20 October 2026, Wednesday 21 October 2026Round 2: Thursday 22 October 2026, Friday 23 October 2026, Saturday 24 October 2026Round 3 / Finals: Friday 6 November 2026, Saturday 7 November 2026, Monday 9 November 2026 &amp; Tuesday 10 November 2026(subject to change)&nbsp;Sydney:Round 1: Monday 26 October 2026, Tuesday 27 October 2026, Wednesday 28 October 2026, Thursday, 29 October 2026, Friday 30 October 2026Round 2: Friday 30 October 2026, Saturday 31st October 2026, Monday 2 November 2026Round 3 / Finals: Tuesday 3 November 2026, Wednesday 4 November 2026 &amp; Thursday 5 November 2026(subject to change)&nbsp;All auditionees will need to be available in person for the above audition period to be considered for this production.<h3 class="tiptap list">CASTING SUMMARY</h3>Looking to cast the most versatile and committed performers. This production recognises the diversity of the Australian performing community, and we actively seek to foster realistic and creative representations of Australia on our stages including performers from all diverse backgrounds.If you are confident you can fulfil a role and the production requirements, you should apply for an audition. Performers can self-submit or submit via an agent/manager.Matilda The Musical is a committed equal opportunities employer. We value diversity and inclusion across race, gender, age, religion, disability, identity and experience. Matilda The Musical is committed to providing a safe, respectful and inclusive audition environment that is free from discrimination, harassment &amp; bullying.<h3 class="tiptap list">IMPORTANT AUDITION INFORMATION</h3><ul class="tiptap"><li class="tiptap">We wish to thank all applicants who apply for their interest and information; however, the Casting team will only be able to get in contact if the applicant is successful in being offered an audition.</li><li class="tiptap">Applicants who are successful in progressing to the audition stage will receive a booking email with all relevant information, including the Matilda The Musical audition material to prepare, venue details, and an opportunity to let us know of any access requirements or adjustments they may need. Audition bookings will be emailed no later than 2 October 2026.</li><li class="tiptap">Please note that auditionees may be photographed and recorded as part of their participation in the audition process for casting purposes.</li><li class="tiptap">Auditions are at the risk of the auditionee.</li><li class="tiptap">There is only one period of audition dates available with the creative team consequently these are the only audition dates for the tour commencing in 2027.</li><li class="tiptap">Auditionees must be prepared to stay after their audition should the creative team wish to see them again that day. Auditionees may be asked to peruse other material.</li><li class="tiptap">If the auditionee is given a Call Back, the auditionee must be available to attend in person on any of the dates listed in that city.</li><li class="tiptap">Some Sydney auditionee finalists may be required to attend in-person in Melbourne for the final audition period 7, 9 &amp; 10 November 2026 (flying to Melbourne at the Producers expense from another Australian capital city, at the time / day required).</li><li class="tiptap">Auditionees may be asked to be recorded, either inside or outside the audition room, with such recording to possibly be used for promotional content of the production process including, but not limited to; news stories, programming for broadcast and social media. Such recording will be voluntary without compensation.&nbsp;&nbsp;&nbsp;&nbsp;</li><li class="tiptap">Auditionees will be asked to read and sign acceptance of Matilda The Musical Workplace Discrimination, Harassment, Sexual Harassment &amp; Bullying Policy and Complaints Handling and Investigation Procedure. These are distributed in advance of your audition.</li><li class="tiptap">All contracts offered will be Run of Play</li></ul><h3 class="tiptap list">IMPORTANT PRODUCTION INFORMATION</h3><ul class="tiptap"><li class="tiptap">The Production of Matilda The Musical includes flashing lights and loud sound effects. Latex balloons are popped onstage, confetti cannons are fired and stage haze (smoke) is used.</li><li class="tiptap">The Production is 2hrs &amp; 35mins with an interval.</li><li class="tiptap">In addition to the weekly performance schedule, all cast must attend weekly rehearsals, maintenance calls, notes sessions, publicity and marketing activity or other activity as otherwise required</li><li class="tiptap">Please note that the roles in Matilda the Musical may have very particular physical, height and vocal requirements.</li><li class="tiptap">Matilda The Musical works in partnership with the relevant child authorities in each State that monitor child employment to ensure that statutory code of practices are followed, along with promotion of best practice.</li><li class="tiptap">All cast employed acknowledge that they will be working with children in the production of Matilda The Musical. Please note that the Producer has developed a Working with Children’s Care &amp; Safe Guarding Policy and it is a requirement of all production personnel undertake a Police Check / Working with Children Check annually as part of the Producers’ due diligence in working with children.&nbsp; In the event that such Check reveals any caution, arrest or conviction this may prohibit employment or continuation of employment on the Production.&nbsp; Compliance with the Children's Care &amp; Safeguarding Policy will be mandatory at all times.</li></ul>

10 THINGS I HATE ABOUT YOU: THE MUSICAL

Situated in the shimmering nostalgia of 1999 Padua High School, 10 Things I Hate About You: The Musical is set it to a distinctly modern score inspired by the dance pop and punk rock sounds of the era. The musical lovingly adopts the tone and themes of the original movie, but honours its radical-for-the-time predecessor by aligning with today’s understanding of the world.10 Things I&nbsp;Hate About You: The Musical is currently in development with a stellar team of creatives. Tony Award winner Christopher Wheeldon (MJ)&nbsp;will direct and choreograph and Mike Bosner (Beautiful, The Jellicle Ball) will produce. Music and lyrics are written by platinum selling recording artist and Broadway alum Carly Rae Jepsen&nbsp;and Grammy winner Ethan Gruska, and the book is by Golden Globe winner Lena Dunham (Girls)&nbsp;and award winning playwright, Jessica Huang.Casting is underway in the US, but the team are keen to open this to Australian talent too.Casting US - C12 CastingCasting Australia - Lisa Campbell CastingDATESFall 2026 WorkshopDates: Oct. 12-Nov 7, 2026Spring 2027 NYC Off-Broadway PerformancesDates: Feb 22 - April 4, 2027 (Performances March 26/27/28, April 2/3/4)SUBMISSIONSFor this production, the characters of Kat and Bianca are AAPI (Asian American and Pacific Islander) heritage. In light of this, the team are seeking performers who identify as such. The role of Patrick has no specific heritage and can be played by a performer of any background.Please note, we can only accept submissions from performers who are 18 or above at the time of applicationSubmissions close Wednesday 22nd July at 12:00pm.Should the team wish to see more from you, you will be invited to submit a self-tape of audition material. The deadline for these is Monday 3rd August at 9:00am. This is a strict deadline and no tapes submitted after this time will be able to be considered.WHAT IF I AM NOT ASKED TO SUBMIT A SELF-TAPE?All is not lost! There is still a Virtual Open Call. To be considered for this, please submit a short video of yourself singing a pop/rock song that showcases your voice to <a target="_blank" rel="noopener noreferrer nofollow" class="tiptap-link" href="mailto:10thingsOpenCall@gmail.com">10thingsOpenCall@gmail.com</a>Please provide a streaming link. We can't download files! Be sure to include a short introduction with your name, current location and any theatre experience you may have. If you have a resume, please include it too.

THE BOOK OF MORMON 

CURRENTLY SEEKING:<h2 class="tiptap list">•&nbsp; MAFALA HATIMBI</h2>We are searching for a talented performer to join THE BOOK OF MORMON company in the role of Mafala with performances expected to commence mid-September 2026 (rehearsal start date TBC). The Book of Mormon is a musical comedy with music, lyrics, and book by Trey Parker, Robert Lopez, and Matt Stone. The story follows two missionaries of the Church of Jesus Christ of Latter-day Saints as they attempt to preach the faith to the inhabitants of a remote Ugandan village. The earnest young men are challenged by the lack of interest from the locals, who are distracted by more pressing issues such as HIV/AIDS, famine, female genital mutilation, child molestation, and oppression by the local warlord.The show premiered on Broadway at the Eugene O’Neill Theatre in March 2011, starring Andrew Rannells and Josh Gad. It garnered overwhelmingly positive critical responses and set records in ticket sales for the Eugene O’Neill Theatre. The Book of Mormon was awarded nine Tony Awards, including Best Musical, and a Grammy Award for Best Musical Theatre Album. The success of the Broadway production has spawned many staging’s worldwide, including a long-running West End replica and several US national tours.<h3 class="tiptap list">PRODUCERS</h3>Produced in Australia by Anne Garefino, Important Musicals LLC and Suzanne Jones<h3 class="tiptap list">CREATIVE TEAM</h3>The Book of Mormon creative team is Trey Parker (Co-Director, Book, Music and Lyrics) Robert Lopez (Book, Music and Lyrics) Matt Stone (Book, Music and Lyrics) Casey Nicholaw (Co-Director and Choreographer) Scott Pask (Scenic Design) Ann Roth (Costume Design) Brian Macdevitt (Lighting Design) Brian Ronan (Sound Design) Stephen Oremus (Music Supervision, Vocal Arranger, Co-orchestrator), Larry Hochman (Co-Orchestrator) Josh Marquette (Hair Design), Jennifer Werner (Supervising Associate Director/Choreographer Worldwide), Carrie Gardner, CSA (US Casting Director).<h3 class="tiptap list"></h3>This production recognises the diversity of the Australian performing community, and we actively seek to foster realistic and creative representations of Australia on our stages including performers from all diverse backgrounds. The Book of Mormon is a committed equal opportunities employer. We value diversity and inclusion across race, gender, age, religion, disability, identity, neurodiversity, and experience. The Book of Mormon is committed to providing a safe, respectful, and inclusive environment that is free from discrimination, harassment &amp; bullying.IMPORTANT AUDITION INFORMATION<ul class="tiptap"><li class="tiptap">We wish to thank all applicants who apply for their interest and information; however, we will only be able to get in contact if the applicant is successful in being offered an audition.</li><li class="tiptap">Initial auditions will be via self-tape</li><li class="tiptap">For applicants that are successful in receiving an audition, a booking email will be sent with all relevant information.</li><li class="tiptap">Please note that auditionees may be photographed and recorded as part of their participation in the audition process for casting purposes.</li><li class="tiptap">Auditions are at the risk of the auditionee.</li><li class="tiptap">All contracts offered will be Run of Play.</li></ul>IMPORTANT PRODUCTION INFORMATION<ul class="tiptap"><li class="tiptap">The Production of The Book of Mormon includes theatrical haze, strobe lighting effects, loud music &amp; pyrotechnics.</li><li class="tiptap">The Book of Mormon contains explicit language and adult themes.</li><li class="tiptap">The Book of Mormon runs for 2.5 hours with a 20-minute interval.</li><li class="tiptap">In addition to the weekly performance schedule, all cast must attend weekly rehearsals, maintenance calls and notes sessions weekly or as otherwise required.</li></ul><a target="_blank" rel="noopener noreferrer nofollow" class="tiptap-link" href="https://www.dropbox.com/scl/fo/tgnh7361949a4dzj720vy/AJ1Esj_NVT79j2m3FFFkc3g?rlkey=xg4l3feo4l9t54sptbuxzhck9&amp;dl=0">Full Audition Material Can Be Found Here.</a>

Mrs. Doubtfire - The Musical 

<h2 class="tiptap list">THE SHOW</h2>Helloooo, poppets!&nbsp;&nbsp;MRS. DOUBTFIRE the feel-good comedy musical based on the beloved film, arrives in Melbourne this November. Out-of-work actor Daniel Hillard will do anything for his kids. After losing custody in a messy divorce, he creates the alter ego of Scottish nanny Euphegenia Doubtfire in a desperate bid to stay in their lives.&nbsp;But&nbsp;as his character takes on a life of its own, Daniel&nbsp;discovers&nbsp;more than he bargained for about family, love&nbsp;and&nbsp;what it&nbsp;really&nbsp;means to be a father. Featuring the iconic moments you know and love, plus fabulous new songs and show-stopping dance numbers, MRS. DOUBTFIRE is a hilarious and heartfelt musical that proves we're better together.<h2 class="tiptap list">&nbsp;</h2><h2 class="tiptap list"></h2><h2 class="tiptap list">PRODUCTION DATES &amp; TERM&nbsp;</h2><ul class="tiptap"><li class="tiptap">Rehearsals will commence in Melbourne on or about Monday 12 October 2026 for the role of Daniel Hillard / Mrs. Doubtfire and all children only.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Rehearsals will commence in Melbourne on or about Monday 19 October 2026 for the remainder of the company.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Premiere season at the Princess Theatre, Melbourne in November 2026.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Publicity dates and costume fittings will be required in advance of these dates.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">All contracts offered will be Run of Play.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">All applicants must have existing legal rights to work in Australia.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Children Auditions will be held at a later date throughout 2026. All applicants may be required to obtain a valid Working With Children Check for each state visited during the tour.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">All dates are subject to change at the Producer’s sole discretion.&nbsp;</li></ul><h2 class="tiptap list">&nbsp;</h2><h2 class="tiptap list"></h2><h2 class="tiptap list">PRODUCTION TEAM&nbsp;</h2>Producer Suzanne Jones in association with Kevin McCollum &amp; Jamie Wilson Productions&nbsp;Music &amp; Lyrics Wayne Kirkpatrick &amp; Karey Kirkpatrick&nbsp;Book Karey Kirkpatrick &amp; John O’Farrell&nbsp;Associate Director Steve Edlund&nbsp;Associate Choreographer Michaeljon Slinger&nbsp;Australian Musical Director Daniel Griffin&nbsp;Australian Casting Director Michael Topple&nbsp;Australian Resident Director Ed Wightman&nbsp;Auditions Choreography Assistant Lauren Jimmieson&nbsp;Australian General Management JONES Theatrical Group&nbsp;Australian Executive Producer Natasha Cohen&nbsp;Australian Associate Producer Will Sheehan&nbsp;Australian Production Associate Holly Keys&nbsp;Australian Production Coordinator Ella Griffin&nbsp;<h2 class="tiptap list">&nbsp;</h2><h2 class="tiptap list"></h2><h2 class="tiptap list">AUDITION PROCESS&nbsp;</h2>The audition process for MRS. DOUBTFIRE will involve multiple audition rounds. Auditions will be held during March 2026. In-person preliminary auditions will be held in Sydney and Melbourne. Please note, not all roles/artists will be required to submit or attend a preliminary audition.&nbsp;&nbsp;&nbsp;KEY DATES:&nbsp;<ul class="tiptap"><li class="tiptap">Round 1 – Melbourne: Monday 16 March &amp; Tuesday 17 March 2026&nbsp;</li><li class="tiptap">Round 2 – Melbourne: Wednesday 18 March &amp; Thursday 19 March 2026&nbsp;</li><li class="tiptap">Round 1 – Sydney: Friday 20 March &amp; Saturday 21 March 2026&nbsp;</li><li class="tiptap">Round 2 – Sydney: Monday 23 March &amp; Tuesday 24 March 2026&nbsp;</li><li class="tiptap">Final Auditions – Sydney: Wednesday 25 March &amp; Thursday 26 March 2026&nbsp;&nbsp;</li><li class="tiptap">Final Auditions – Melbourne: Friday 27 March &amp; Saturday 28 March 2026</li></ul><h2 class="tiptap list">&nbsp;</h2><h2 class="tiptap list"></h2><h2 class="tiptap list">IMPORTANT INFORMATION&nbsp;</h2><ul class="tiptap"><li class="tiptap">We appreciate the interest and effort of all applicants however only those selected for an audition will be contacted.&nbsp;&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Applicants who are successful in securing an audition will receive a booking email with all the necessary details.&nbsp;&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Please be aware that auditionees may be photographed and recorded during the audition process for casting purposes.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Participation in auditions is at the auditionee's own risk and cost.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">All applicants for the roles listed on this brief must be 18 years or older.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">There is only one scheduled period for auditions with the creative team, and these are the only dates available for these auditions.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">Auditionees should be prepared to remain onsite after their audition in case the creative team wishes to see them again that day. Additional material may also be requested.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">If an auditionee receives a callback, they must be available to attend in person on any of the specified dates in that city. Finalists will need to be available for an in-person audition in Sydney or Melbourne.</li></ul><ul class="tiptap"><li class="tiptap">Auditionees may be recorded inside or outside the audition room, and such recordings may be used for promotional content related to the production process, including but not limited to news stories, broadcasts, and social media. Participation in these recordings is voluntary and will not be compensated.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">All contracts offered will be Run of Play.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">The production of MRS. DOUBTFIRE includes theatrical haze and strobe lighting effects.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">MRS. DOUBTFIRE runs for approximately 2 hours 30 minutes with a 20 minute interval.&nbsp;</li></ul><ul class="tiptap"><li class="tiptap">In addition to the weekly performance schedule, all cast must attend rehearsals, maintenance calls and notes sessions weekly or as otherwise required.&nbsp;</li></ul>

Productions currently casting.

Matilda The Musical

10 THINGS I HATE ABOUT YOU: THE MUSICAL

THE BOOK OF MORMON

Mrs. Doubtfire - The Musical

Where the stage meets its company.